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yoga guy held my hand in savasana then took me home and rode me himself

Three Thursdays of Sage putting his mat next to mine. In savasana he asks to hold my hand. The tea place is closed, so he takes me home and rides me himself.

Yoga-class slow burnHand-holding in savasanaBack at his place, he rides me

18+ Adult fiction. Everyone in it is an adult.

adult sexual contentoral sexanal sex
ridingoralpraisefirst-date
femboy

I joined Thursday yoga because my physical therapist told me my lower back had the mobility of poured concrete.

Sage was not part of the treatment plan.

The first week, he put his mat beside mine because the room was full.

The second week, there were twelve empty spots and he still put it beside mine.

By week three, I started arriving early enough to leave him space.

I was twenty-seven and had the flexibility of a folding chair. Sage was twenty-two and moved like gravity was more of a suggestion for him than a rule.

He wore lavender leggings, a black tank, and a thin silver chain around one ankle. None of those facts were medically relevant.

I noticed them anyway.

“Your mat’s crooked,” he said before class one Thursday.

I looked down.

“It’s a rectangle.”

“It can be a crooked rectangle.”

He crouched, put two fingers against the corner of my mat, and looked up at me.

“Can I?”

“Can you what?”

“Fix it.”

“You’re asking permission to rotate foam?”

“I’m very respectful.”

“Go crazy.”

Sage moved the mat maybe two inches.

“There.”

I stared at it.

“That changed nothing.”

“It changed everything.”

Then class started, and for the next hour I tried not to notice that our mats were now exactly parallel.

I failed.


Yoga is humiliating in highly specific ways.

There is no dignified version of realizing the person next to you can put both palms flat on the floor while you are negotiating with your hamstrings like a hostage mediator.

Sage never laughed at me, though.

During a forward fold he whispered, “Bend your knees more.”

“I am bending them.”

“More.”

“I’ll fall over.”

“I won’t let you.”

I bent them.

My back released by about thirty percent.

I looked sideways.

Sage was upside down too, hair falling toward the mat.

He gave me a tiny victorious smile.

I mouthed, “Fine.”

He mouthed, “Told you.”

During warrior two, our hands came close enough that I could feel the warmth from his fingers.

He did not shorten his stance.

Neither did I.

For three breaths our fingertips hovered maybe an inch apart.

I spent all three pretending that was not the most interesting thing happening in the room.

At the end of class, the lights dimmed for savasana.

Everybody lay down.

The studio went quiet except for the instructor telling us to let our bodies get heavy.

My body did not get heavy.

My entire nervous system had become extremely interested in Sage’s right hand resting palm-up beside his mat.

Then he whispered my name.

I turned my head.

His face was barely visible in the blue light from the wall sconces.

“Can I reach over?” he asked.

I knew exactly what he meant.

I still made him say it.

“For what?”

His mouth curved.

“To hold your hand.”

My heart did something ridiculous for an activity generally marketed as relaxing.

“You don’t have to,” he added. “I just—”

“Yeah.”

He stopped.

“Yeah?”

“Reach over.”

Sage slid his hand across the wood floor between our mats.

I met him halfway.

Our fingertips touched first.

Then our palms.

Then he threaded his fingers through mine and let out a slow breath that sounded like he had been carrying something heavy all class.

His hand was warm and dry.

He squeezed once.

I squeezed back.

For the rest of savasana, neither of us moved.

The instructor told us to notice where our bodies met the floor.

I noticed exactly one thing.


After class, everybody rolled up their mats and put their shoes back on.

Sage took an unusually long time with his.

So did I.

Finally he stood there holding the rolled mat against his chest.

“I’ve wanted to do that for three weeks,” he said.

“Hold my hand?”

“Yeah.”

“Why didn’t you?”

“I was waiting for an elegant opportunity.”

“That was elegant?”

“You should’ve seen the rejected plans.”

I laughed.

Sage looked relieved.

Then he glanced toward the lobby.

“There’s a tea place two doors down.”

“I know.”

“I go after class.”

“Every Thursday?”

“Usually.”

He shifted the mat to his other arm.

“Would you want to come?”

I considered pretending to think about it.

Sage raised an eyebrow.

“You left me mat space before I got here today.”

I felt caught.

“I like symmetry.”

“You are a terrible liar.”

“Tea sounds good.”

“Good.”

We walked toward the door.

Just before we reached it, Sage’s hand brushed mine.

This time he didn’t take it.

He looked at me first.

I turned my palm up.

That was enough.

His fingers slipped through mine again.


We did not make it to tea.

We made it to the tea place, technically. It had closed at eight. There was a chalkboard in the window that said SORRY WE’RE STEEPED in a font that hurt to look at, and Sage stood in front of it with his rolled mat under his arm and said, “Okay, so this is embarrassing.”

“You go every Thursday.”

“I go every Thursday at seven-thirty. Class ran long. You made the instructor do an extra round of pigeon.”

“I did not make her.”

“You were making noises.”

He was still holding my hand. Neither of us had mentioned it.

“I live like four minutes that way,” he said. “I have tea. Like, a whole drawer. It’s a problem.” He paused. “That’s an actual offer of tea. You can just have tea.”

“And if I don’t just want tea?”

Sage looked at me in the streetlight for a long second, the silver chain on his ankle catching it.

“Then I have a lot of tea,” he said, “and also a bed.”


His apartment was a studio over a dry cleaner and it smelled like starch and something sweet, vanilla maybe. The tea drawer was real. He opened it to prove it. Forty boxes, minimum.

I kissed him while he was still holding the drawer open.

He made a little surprised sound into my mouth and then dropped the box he was holding and grabbed the front of my shirt with both hands. He kissed the way he did forward folds: all the way down, no hesitation, like it had never once occurred to him that his body might not go where he told it.

“Okay,” he said against my mouth. “Okay. I’ve been thinking about this since you fell over in tree pose.”

“I didn’t fall over.”

“You hopped.”

“Hopping is a recovery.”

He pushed me backward until my calves hit the bed and I sat down hard. He stood between my knees. The lavender leggings were thin enough that I could see exactly how hard he was, and he saw me see it and didn’t do anything about it except smile.

“Can I take these off you?” I said. “The leggings.”

“You can take anything off me.” He put my hands on his hips himself. “I’m telling you that once so you don’t have to keep asking. If I want you to stop I’ll say stop. I’m very loud. You’ll hear it.”

I peeled them down. He had nothing on under them. His cock was flushed and pretty and leaking a little already, and he stepped out of the leggings one foot at a time, balanced perfectly, like a show-off, and the anklet stayed on.

I put my mouth on him before he’d fully stepped out.

“Oh—” Sage grabbed my shoulders. “Oh, okay, that’s—you’re just doing that.”

I was just doing that. I took him slow, my hands on the backs of his thighs, the muscle there jumping every time I went down. He tasted like salt and the studio’s eucalyptus spray. He kept saying my name like he was trying to get my attention, and when I looked up he forgot what he was going to say.

He pushed me off eventually, breathing hard.

“Lie down.”

“I—”

“Your back,” he said, “has the mobility of poured concrete. You told the whole class. Lie down. I’ll do it.”


The condom and lube were in the tea drawer. I don’t want to talk about it. He said it was “the most-opened drawer” like that was an explanation.

He straddled me and slicked me up with one hand and himself with the other, reaching back, his face going loose and concentrated at the same time. Then he held me steady and sank down.

Slowly. Ridiculously slowly. The kind of control you only get from doing hip openers three times a week. I watched my cock disappear into him an inch at a time and had to put my forearm over my eyes.

“No,” Sage said. “Look.”

I looked.

He bottomed out with a sigh like the end of savasana and just sat there, full, his hands flat on my chest.

“Breathe,” he said, in the instructor’s voice.

“Don’t.”

“Let your body get heavy.”

“I will leave.”

He laughed, and the laugh went all the way down through him and around me, and I grabbed his hips without meaning to.

Then he moved. Long, rolling, unhurried strokes, rising almost all the way off and sinking back, thighs doing all of it, never once shaking. I’d watched those thighs hold chair pose for two straight minutes. They were not going to get tired before I did.

“You’re so—” I said.

“Flexible,” he said. “Say flexible. I’ve earned it.”

He leaned back and braced his hands on my knees and changed the angle, and the sound he made changed with it, higher, startled. He did it again. And again. His cock bounced against my stomach, wet, and I wrapped my hand around it and he lost the rhythm completely for the first time all night.

“Don’t stop,” he said. “That. Your hand. Don’t—”

I didn’t. He rode me faster and sloppier, the bed frame knocking the wall, the dry cleaner’s sign buzzing pink through the blinds, and he came first, all over my stomach and my hand, clenching down so hard around me that I followed him maybe four strokes later, holding his hips down, saying something I’m pretty sure was just his name over and over.

He folded forward onto my chest. Child’s pose, basically.

“Okay,” he said into my collarbone. “Okay. That was a lot better than tea.”


He made the tea afterward anyway. Chamomile. He handed it to me in bed in a mug that said WORLD’S OKAYEST SON and sat cross-legged beside me in nothing but the anklet.

“How’s your back?” he said.

I thought about it.

“Weirdly great.”

“See,” he said. “You just needed to bend your knees more.”


The next Thursday, I got there first.

My mat was already straight.

Sage walked in, looked down at it, and made a disappointed sound.

“What?” I asked.

“You’ve eliminated my opening.”

I moved the mat two inches crooked.

“There.”

He smiled.

“Much better.”

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Aurora Vale

Aurora Vale writes adult fiction built around patient escalation, specific characters, and power dynamics that have an actual reason to exist.

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